Daniel Schubert

Innumerable people, processes and substances converge each moment, creating patterns which repeat at every scale; a kind of coincidence which Daniel Schubert’s (1984, Germany) work meticulously studies. It’s not the incidental but a grand perspective, the moment at which details turn into a surface. The meditative calm of his art appears, then, to be a necessity, reflected in his working process. Employing an entire arsenal’s worth of, oftentimes partly forgotten, painting techniques, Schubert captures the great plurality in paint, showing its stirrings to be at rest.