Alisa Margolis
There’s something primal about painting, the materiality, the color—it produces endorphins.
Alisa Margolis via Berlin Drawing Room, 2018
During a two-year stay in Amsterdam, Alisa Margolis (1975, Ukraine) discovered the paintings of the “Golden Age”—the 17th-century Dutch art that articulated the cultural, social, and political identity of a trading nation that had become a world power. She began to use Dutch floral still lifes as a springboard for her own works. With a special focus on dramatic lighting, she eventually created a style that combined the Low Countries’ meticulousness with the gestural impulsivity of US Abstract Expressionism, contrasting, for example, triangular filigree compositions containing countless thin layers of almost translucent paint with gestural and entirely non-representational brushwork.